Recent Production: Element Productions and Orsini Studios -
“You Know You Want It”
Boston-based Orsini Studios recently came to South Florida for it’s production of “You Know You Want To,” a commercial for Connecticut Natural Gas. Originally a still photographer, Craig Orsini has recently become a Director Cameraman and partnered with fellow Bostonians, Element Productions.
With plans to shoot at New Art Studios in Miami, Orsini came to Moving Picture for lighting, grip, camera package, lens package, and HD monitors. In addition to equipment rental, Moving Picture provided a supporting crew that consisted of a camera assistant, gaffer, media manager/downloader, and production assistant.
While an experienced DSLR shooter, Orsini chose to shoot this spot with the more robust Sony PMW-F3, provided by Moving Picture and coupled with our Zeiss Compact Prime CP.2 lens set to create a film-quality package at a fraction of the price. Recording to Sony 32GB SxS cards, Orsini was also able to rely on Moving Picture to download and back up footage throughout the day.
Subjects were placed in front of a white backdrop for a clean, studio look. The gaffer worked with Orsini to accomplish the ideal lighting scenario. This was done through the construction of a “book light” that makes use of bounced, diffused light. A lamp is directed onto a reflective surface and effectively bounced through a diffusion material onto the subject. The surface (usually white) is adjoined on one side to the diffusion creating an open “V” shape, like a partially open book standing on its end. In this case, the gaffer bounced a 12000W ARRI Fresnel off of a 12′ x 12′ Ultrabounce and then directed it through a 12′ x 12′ light grid cloth. First the Ultrabounce and 12000W Fresnel were set up to achieve the correct angle and then the light grid was brought in. The result was a very soft, directional light that wrapped around the talent. Additional support included ARRI T2 2000W Fresnels, ARRILITE 2000W Open Face fixtures, Matthews Mombo Combo and Hi-Hi Roller stands, and an electrical distribution package.
Great day to watch sailing in the harbor. July 4th 2011 If this event comes back to Boston I will make sure to spend more time. The seats at the ICA on the waterfront were perfect to watch from.
Carnival has gone through a major update of images that were produced on our last job. That job produced over 400 selects for creatives to work with in the Carnival Library of images. It is one of the major highlights of my career, to be working with Arnold Advertising and Carnival Cruise Lines…….. see more at www.carnival.com
Smuggs has been a long time client and now friend. My kids have grown up and learned how to be excellent skiers and boarders thanks to Smuggs. It amazes me how they continue to grow and add new things for people to enjoy. Last week I shot and rode the new ArborTrek Canopy Tour Zipline, it was great to shoot and even better to enjoy. Every once and a while I had to put the camera in my pack and just enjoy the run.
It has been about ten years since I have displayed my work in this form. Thanks to Tanya Mathis senior art buyer for inviting me to show almost two years ago….. thats a long wait. The show will be moving next month to an ad agency in NYC, do you want it to hang at your place? Let me know.
Great way to end the year. Shooting between Christmas and New Years is never easy, add in a blizzard and you have the chance for a complete mess. Directing the Executive Chef for Dunkin, Stan Frankenthaler, was great. People dont realize how hard it is to stand in front of all the crew and hit a ton of talking points and facts with out a teleprompter. Kudos to Stan and my whole crew for pulling off a nice set of videos. The samples from the DD test kitchen were a huge plus!